IFÁ from Salvador/Bahia just release their first album entitled “Ijexá Funk Afrobeat”. Apart of the music styles mentioned in the title they incorporate elements of Dub and Reggae and reference other African traditions while using sounds and groove from Bahia. Like that, they they point to future with their own vision of Afro-brazilian music.
- Tag Archives Funk
BNegão & Seletores de Frequência show in their third album their newest multifaceted sound experiments. Mixing Dub, Suingue/MPB, Afro percussion, Surf Rock, Funk and many other styles this record contains an infinity of sounds and references in one project.
The band I.F.Á. Afrobeat from Salvador/Bahia State just released his first EP featuring Nigerian singer Okwei V. Odili. Apart of Afrobeat, Ijexá and Funk they insert elements of Dub and Reggae confirming the importance of the historic link between black cultures of the diaspora.
Known for being lead vocalist at BaianaSystem and Bemba Trio one would expect from Russo Passapussos debut album some Reggae, Dub and Dancehall infused Bahian music or the like, but it’s not. Produced by Curumin, Zé Nigro and Lucas Martins he rereads vintage MPB, Samba, Funk and Rock with special participations of BNegão, Edgard Scandurra, Anelis Assumpção e Marcelo Jeneci.
From their website:
“The music of Maputo-based Sigauque Project takes most audiences by surprise. With musical influences spanning across the continent – from a new take on Marrabenta to Senegalese Mbalak and Nigerian Afro Beat, with some smooth sounding jazz thrown in the mix, the band is a pan-African musical journey on the Mozambique stage.
While other musicians lean more and more towards fewer instruments and more techno beats, this band’s two singers, full horn section, throbbing bass, and rhythmic percussion creates an attention grabbing wall of fresh sounds. Listen closely, and you’ll hear that in addition to the local Portuguese, Changaan, and Sena lyrics, the vocalists sing in English, French, Swahili, and Zulu.
The band is the creation of Canadian-born Daniel Walter, a radio producer and musician who heads up a media company specialising in communication for social change, CMFD (Community Media for Development) Productions. What most of the audience probably don’t realise is that most of the tunes played by Sigauque Project were originally created and recorded by CMFD Productions as part of music and radio projects broadcast across Africa – this music has a message.
Some songs were created during projects specifically using music to speak out about a message For example, Musicians Against Xenophobia, which includes the songs Sigaouke and Sinjengomfula, brought musicians from Mozambique, Zimbabwe and South Africa together to produce four songs about xenophobia and discrimination.
Other songs were produced as theme music to accompany serial radio dramas. Crossroads, Caminhos Cruzados, and Pistes Croissees, are regional variations to music for a radio drama of the same names, the story an old, corrupt police chief and a market woman who switch bodies, for a hilarious insight in how men and women experience life differently in Africa. “Bravos do Zambeze,” originally recorded with Isaú Meneses, also the theme song for a drama of the same name, is a mellow tune that warns of being prepared for impending floods.”
“Founded in 2009, the band Afroelectro creates its sonic identity revisiting the African continent through contact with artists and their contemporary sound production, the direct experience of some members of the band with musicians from there and the experience of living in a large metropolis like São Paul, who has been the major catalyst of Brazilian and world culture. It is where the Brazilian styles like Côco and Embolada get in dialogue with Hip-Hop, where Rock meets Camdomblé, where tradition meets the new.
Brazilian culture is found with great force in the music of Afroelectro, especially in the verses and sung parts. Chants from popular cultures from different regions of the country such as the singing of the Tambor de Crioula de Taboca do Maranhão, Seahorse verses that originate in Nazaré da Mata (Pernambuco), Capoeira and Candomblé chants are evident in the songs of the group.
In 2012 Afroelectro released his first album, the result of a year’s work between hours of studio and live performances, thus creating an album differentiated in rhythmic and sound experiments but at the same time accessible and danceable.”
Positivo is a multicultural music project with five ingredients: Roots Afro Beat from Mozambique, Rocking blues from Austria, Reggae dub live, hip-hop and french contemporary punk jazz.
But it’s not only about music, from their website:
“Associação Positivo Moçambique is a group of artists and activists created in 2007 with the aim of using music in a truly unique participatory approach for HIV/AIDS campaigns and awareness raising. Using music as a tool for social change Positivo has developed a method for highly effective public health messaging in Mozambique. Positivo listen to communities and record their lyrics with powerful and relevant messages about HIV/AIDS. We do not impose messages from outside. We work together with communities, have them raise questions and work together on a knowledge basis to reduce misunderstanding and myths on HIV/AIDS topics.”
Here are some tracks of their album “No Time” that has been released in early 2009 on Guten Tag Verlag:
And get more tracks and recordings on their website.